The goal was to create a lamp resembling a light beam descending from a floating marble top and bouncing back against a large marble bottom plate.

Sincerity and secrecy in one. A simple shape; a lamp that provokes questions. My own Houdini trick. My ship in a bottle.

Inspiration for Bella comes from the campanile – bell tower – and my admiration for its sculptural beauty.

A light that raises questions of its production technique, of who is bonded and who is bonding.

The initial idea was based on a hand sketch. I consider a simple line very powerful for capturing a thought, and from there I took it further. I set out to achieve a rich effect of multiple lines using basic tools.

A tribute to the kinetic beauties of Alexander Calder, space captured in the eyes of light.

I wanted to formulate an innovative artistic lighting object. I let the transparent forms of the lamp intersect, overlap, and layer one over another, thus giving rise to a new light-spatial sensation.

A large-scale object to serve as the centrepiece of the interior. It was a fascinating experience to sculpt an object out of a soft textured material. The subtle yet robust form and the combination of natural Portuguese cork and strawberry-red cushions is my personal visual statement.

Glass holds its form and can also hold other objects. Shapes for shapes. Floating or lying.

A series of colourful low handblown glass tables resembling sandglasses. A playful yet fragile combination.

A collection of frosted and clear stationary tools in softly sculpted forms.

Flutes were created as a suspension lighting project for hotel spaces; their potential and utility, however, go far beyond the boundaries of the project specifications.

The glass life circle. A modern technique resulting in a one-of-a-kind piece of furniture.

I wanted to create an archetype of a mirror, a statue that dominates and shapes the space around it and acquires true meaning in the reflection of a man, whom it alone has the power to turn into a real human icon.

Three brothers. Three interconnected circles. Trees with tangled roots. Belonging, closeness, family. They can stand alone, but together they are invincible.

A true celebration of glass as a material. The glass soul neglection.

A futuristic helmet or undiscovered species of jellyfish... The tubular light source daringly penetrates the delicate, smooth body of the lamp. A passionate love affair of forms. My desire was to create a different lighting atmosphere and tell a story through an everyday object.

Muffins, the very first design to originate in Paris. The first product to gain an international audience. My first work with glass. The medium is fascinating and mysterious.

A new perspection in the life of a woman comes with motherhood. Pure instincts and endless love.

Minimalist sculptural beauty; matter at once fluid and static. This is a simple geometry borne on the delicate counterpoise between lines and arcs.

Transparent forms cutting through one another have always held a special fascination for me. The elegance of the clear overlapping shells and delicate tones conjure echoes from the plant kingdom, a symbiosis articulated in glass.

Puro is my answer to volumed light design. An endeavour to tame light and scrutinise its impact in the interior.

Handmade jewellery that senses the inner beauty and harmony of the woman.

Small pendant spot lights inspired by the classic ‘atelier lights’.

Two softly shaped composite sheets of veneered plywood, the upper sheet levitating above the larger one, create enough space for storage of all necessities – pens, laptop, or computer keyboard – in between.

Series of asymmetric wooden tableware (natural bowls and a yellow tinted vase) manufactured from solid oak.

You might call it a statement piece, as feminine and strong as the woman wearing it.

I consider the circle the perfect shape, but I take care to never fall spinning in it. These timeless lamps seem to rotate in space, their graphically simple silhouettes floating in air.

You can sense the spirit of light. You can now also touch it and invite it into your living space.

A wooden table based on a self-supporting system. There is no structure, no screws, only simple elements joined together in a functional whole.

My first rendezvous with professional design. The first object I exhibited outside my homeland, shown for the first time in Paris. A strange coincidence. At the time, I had no idea how the city would determine my direction.

Urban Islands stand for a flexible and playful system of urban furniture. My need for exterios aesthetics.

The design reverses the archetypal shape to achieve the result – an upside down light object with untraditional and soft proportions.

A collection of stools consisting of silvered and simple internally coloured glass pieces reflecting their surroundings in the mirror surface.

My central themes: circle, sphere, cone of light, glass... just one step further. Knowing I do what I love makes me relaxed and content. Passion and joy. Crystal-clear, juicy, vivid joy.

This table is like a beautiful and smart woman. The shape evokes her seductive wrap-around skirt, but underneath lies a sophisticated solution. The shape was, in fact, designed to allow plywood to be bent by hand without the use of forms.

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